Alla Prima: Painting in Oils from General to Specific

okay so here I'm starting with the warm green mixture using mostly fallow green and transparent red oxide and in in the right corner of the screen you can see uh what what actually I see well when I when I squint when I when I squint heavily I so this is what I try to represent in the very beginning of of the process so these dark shapes they will work as as a wireframe for both for composition and for the likeness for the representation of the head so on on this stage the most important is just to create representation of just of the shadows as being said and the placement of the features is uh