DaVinci Resolve cinematic mini masterclass

When it comes to color grading, I think many of us have made this mistake in the past where we find a lot that works on one or two of our shots and then we slap it on everything and hope for the best in post-prouction. And in this video, we want to talk about those few extra steps that happen before and after your preset so that you can get the most out of your footage . And we're working with Nick Bleki today . Nick's an incredible DP and colorist and has shot some amazing projects and had the pleasure to collaborate with him on a bunch myself . Him and I have been working on this Power Grade for years together. This is something that Nick has developed for over three years. And full disclosure , this Power Grade is for sale . We're going to be selling it on Black Friday , starting off with a huge discount . So, more information down below . And that power grade will also come with a color grading master class and Nick recorded well over an hour , taking you through all the steps , all the nuances that you've ever wanted to get the most out of Resolve or whatever platform you're using for color grading . But Nick, let's jump into this right . Let's talk about step number one when it comes to coloring . And this is setting up your color space . So step one is very important because if you don't set up your project correctly , all the work you do with spinning the wheels, raising gain, adding saturation , it could be inaccurate by the time you export or view it in any other monitor . So you kind of need to prepare things properly . So what I do is I go to file project settings and under color management I make sure that my timeline color space