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In 2023, I could not get my mixes to sound good . Everything was clean and technically right, but it just felt flat and it drove me insane. But the past 18 months changed everything . I signed a track through Enormous Records and Norah Onure played on her global radio broadcast . And a big part of that shift was learning to keep things simple and find a way to impart life into my tracks . Essentially, how to make them sound pristine and three-dimensional . Before I figured this out, I'd sit there at 2 a.m . with my headphones on, chasing ghosts in the upper mids . You know that feeling ? Two hours later. That terrible proximity to something that is almost fantastic . Something you can almost touch but is just out of reach . Stay here because I'm going to show you exactly what I did to get past this roadblock and bring expansiveness and depth into my mixes . and stick around because it's so simple . You can implement this today . So, I've pulled up my song Walk through Fire and here's a clip of it with no on the master bus. And here's a clip of it with the Oxford Inflator right before the limiter. Hear the difference. It's suddenly fuller, wider, and more alive . Like it cost 10 times more to make . That's some expensive Damn, stupid . The mid-range opens. The transients feel alive . The whole track starts to inhale and exhale . So, these are the settings I used . And you can do something just like this to achieve great results. effect around 50%, slightly positive curve , clip off, and band split on. . That's literally it . But here's the part most people miss . Inflator is not just for the master bus . It works insanely well on individual sounds