How to Match Colors

Um today, uh yeah, I still have the Ram brand. I have one of those like halo lights because the room that I'm um I'm I do these we just my partner and I just moved actually. So the our our sort of our second bedroom is now a office and uh the lighting leaves much to be desired but you'll have to bear with me. So we got the Rem brand. I know you said you liked it. So um today folks uh as people were filtering in we still have more people arriving but we're going to be covering color matching. Uh looking at color fidelity and AC/DC um we're going to look at color correction as well as color matching. And then we're also probably going to explore um lots because lots are a good way to um lots are a good way to uh sort of uh create uh certain lighting conditions that you want to copy. So and then use on other images. Very helpful. Um yeah and this is a request from uh a user uh in regards to this. Uh so looking at um uh you know a workshop that's covering contents that was uh that was that was asked for. So um as we're still waiting for people to filter in, I'll just mention uh you can always contact me um either in the workshop uh you know uh while we're doing the workshop, but you can also uh send me a message over uh connect um and what I mean by that is uh you can request you know a workshop that you'd like to have covered or if there's something that you'd like to see a tutorial of um we're happy to to tackle those uh you know depending. So uh yeah just just shoot me a message over connect uh the way you do that is if you go to our connect page and if you go to the workshop itself uh if you click on it my name will be up here and there will be a a means to uh chat or message me from from there. So if you're curious about sending me a message that's how it works. Um not asked does it include to improve scanned faded color photos with one color cast. It might um what we're looking at today is post-processing editing to do a color matching. So, we're going to take uh actually the color this image here is the one we're going to be here. Let me change the film view. We're going to be looking at taking this image. We're going to first and foremost we're going to look at how to color correct in ACDC. And then we're going to look um at replicating the unique color circumstances in this image. And we're going to take those and we're going to use um both the uh I guess highlight and shadow colors as reference.